Would YOU Fall For Lord Voldemort If…

So, first of all, this amazing fan-made Beauty and the Beast/Harry Potter trailer:

Anything with Emma Watson in will clearly always be a Hermione AU opportunity. I wish I’d never given up video editing as a hobby now, but moreover, it got me thinking about what a hideous relationship this would be.

Bare with.

First of all: no way do I take this video seriously. It just got me thinking, yeah?

What would Voldemort – a pretty 2D evil villain – have to do to be forgivable? Probably impossible, he sought genocide and tortured peeps for fun. If you watch the trailer again, those clips of Voldemort actually showed expressions of vulnerability. It made me think more about how some romance stories look at forgiving someone for terrible sins and helping them to be better.

So if Voldemort stopped killing people and learned the error of his ways, what would you say he’d have to do/change before you’d fall in love with him, despite his track record for murder and torture? Is it even possible for you? It must have happened somewhere in history…

What characters have you forgiven for heinous crimes? At what point could you never forgive a character, despite their depth?

One example from me: I could never forgive Cersei Lannister from Game of Thrones, who deserves whole posts to talk about why. Short version: even if Cersei suddenly felt truly remorseful for all the people she has murdered and betrayed – or for those her son Jeoffrey tortured and murdered and she pretended not to notice – her cruelty has ruined and obliterated the lives of literally hundreds of people. I feel sick whenever she’s on screen because she enjoys the suffering she’s caused.

She manipulates and abuses those around her, including her own children, her lover/brother, and family. Any flicker of remorse she seems to feel is only when she gets caught. Despite her fantastic depth of motivation and feeling, I don’t think I could forgive her. It would take an intense character shift and a lot of genuine acts of kindness and generosity for me to perhaps forgive Cersei Lannister.

On the flip side, I forgave Regina Mills from Once Upon A Time. Again, a cold, selfish, murderous, and extremely manipulative woman who I loved to despise. But eventually, she embarked on a difficult journey to reform her core self. She remains sarcastic, quick-to-judge, and wildly controlled by her emotions, but as a person, she grew capable of deep internal reflection and struggled hard to be better.

Both of these women share the same motivator: to love, protect, and keep hold of their children. Both are great characters, but one of them I really want dead.

Meet Marc: Creator of Fuzzballs

It’s no secret that cats are my patronus and anything cat-like tends to draw my undivided attention. Fuzzballs are no different. I first bumped into their stand at Comic Con last year and met creator Marc—a lovely individual with a great fluffy creature brand. Ranging from cats to tigers and bunnies, it’s hard to resist the allure of his art.

Eager to know more about his work and to share his talent with others, I’ve a sweet and short interview to give you. Let’s get to it!

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Getting Published: part four

Last time I updated, I was scraping the barrel of misery in search of a writing epiphany, and I hadn’t met my deadline. The good news: I managed to finish my edits and hand in the new draft of my novel just before Christmas Eve. The bad news: silence.

My novel feels amazing. I feel like I’ve polished up a rusty sports car (no doubt I forgot to replace the bumper or something, but STILL). The villains are uncomfortable and crescendo nicely, the puzzle pieces of the plot click together, the final sentence feels right.

As soon as I sent it off, my prospective agent replied positively, saying he would probably get around to reading it in the first week of January. Whatever the case, he’d let me know when he started reading it. Finally, I could relax for a couple of weeks.

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Except, the first week of January rolled around…and I heard nothing. The second week came and went. Hesitantly, I sent an email asking when he’d assigned my novel to his reading schedule. He replied saying he’d not long returned from holiday, but he’d update me within the week to let me know.

He did not.

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Magical Girls: Internalised Misogyny and Genre Rebirth

Let’s be honest. The ‘magical girl’ trope used to suck when I was a kid, especially when girls are taught to hate themselves because ‘femininity = weakness,’ and gosh are magical-girl-shows ALL ABOUT showy associations of girliness. As such, the magical girl trope only pleased young girls who hadn’t yet learnt to think ‘girliness is a flaw.’ The older a girl got, the more she saw that many magical girls were shaped as vapid creatures obsessed with getting boyfriends or hiding their other life as a pop star, downplaying the fighting and dealing with schoolyard problems. Basically: sitcoms. So it’s no wonder women distanced themselves from ‘magical girls’ to try and preserve their sense of respectability. Until BOOM: Sailor Moon. But let’s build up to that.

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What the heck am I talking about when I link magical girls to internalised misogyny? It’s the act of rejecting women, or yourself, for behaving/looking a certain way. The thing is, to quote everydayfeminism, “it’s not always other people or other genders that are responsible for sexism. Sometimes, it’s actually you.” Women oppress themselves and their peers, known as ‘internalised misogyny’—the act of involuntary perpetuating sexist messages within their societies and culture. Enter stage: the magical girl.

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