Rejection. Last update I said I’d applied to a few different agents and, whoop, they said “no thanks.”
BUT GOOD NEWS.
In a burst of despair and a need for closure, I sent an email to Suresh, my prospective but AWOL agent, basically saying, “Are you still working with me on my novel, or do I need to look elsewhere, because crippling self-doubt is eating me alive.”
Feeling emboldened, I contacted the previous managing editor of BigWorldNetwork, Amanda Meuwissen, a very nice lady who I worked under for four years as an associate editor, asking if she would edit my manuscript. I was so touched by her emphatic reply that, yes, she would love to, and that she’d do it for free because I’d edited one of her books for free during my time at BWN. So that put me in a real good mood.
Suresh replied within an hour, apologising for the delay and no update. He said he would read my revised manuscript THAT WEEK and call me for a review. By this point I was just stunned. I’d been so prepared to be turned away. Like, so utterly convinced of rejection that I was a bit out-of-it and deranged for the rest of the night. Two great things within the hour? Inconceivable.
This is something budding writers often ask me. “But what is narrative style? Why is it something to be aware of?”
Narrative style is tricky to pin down. Style is tone. Don’t forget that the narrative is essentially someone’s voice. The narrator is a character, not simply words dictating what happens in the story. Even if narration has an archaic, formal tone (such as often seen in classic literature or high fantasy), that is still the voice of a character, the one telling you a story of events as they perceived them to happen – even if omnipresent.
Style is how you structure sentences, how you use or abuse punctuation, how you describe scenery and character-thought-progression. It’s a combination of many writing techniques that you pick and perfect to work for not only your story, but for you as a writer.
I suppose one way to think of it is like poetry (we’re getting a bit hon hon darling now, but bear with me, it’s a metaphor). When you read a poem, you generally expect that poem to have rhythm – to have a way of twisting the structure of words on the page to either be staccato, flowing, or broken. You would expect a poem to scratch the surface of its real meaning – leaving you to infur the rest – or to expose the “character’s” emotional depth. The poem will paint every scene in vibrant colours, or it will be minimalistic and clean.
Writing a story is very much the same. Narrative style is one part you relating events as feels natural, two parts your character shouting into a microphone. Or whispering. I mean. It’s your style. Whatever.