So, first of all, this amazing fan-made Beauty and the Beast/Harry Potter trailer:
Anything with Emma Watson in will clearly always be a Hermione AU opportunity. I wish I’d never given up video editing as a hobby now, but moreover, it got me thinking about what a hideous relationship this would be.
First of all: no way do I take this video seriously. It just got me thinking, yeah?
What would Voldemort – a pretty 2D evil villain – have to do to be forgivable? Probably impossible, he saught genocide and tortured peeps for fun. If you watch the trailer again, those clips of Voldemort actually showed expressions of vulnerability. It made me think more about how some romance stories look at forgiving someone for terrible sins and helping them to be better.
So if Voldemort stopped killing people and learned the error of his ways, what would you say he’d have to do/change before you’d fall in love with him, despite his track record for murder and torture? Is it even possible for you? It must have happened somewhere in history…
It’s no secret that cats are my patronus and anything cat-like tends to draw my undivided attention. Fuzzballs are no different. I first bumped into their stand at Comic Con last year and met creator Marc—a lovely individual with a great fluffy creature brand. Ranging from cats to tigers and bunnies, it’s hard to resist the allure of his art.
Eager to know more about his work and to share his talent with others, I’ve a sweet and short interview to give you. Let’s get to it!
Last time I updated, I was scraping the barrel of misery in search of a writing epiphany, and I hadn’t met my deadline. The good news: I managed to finish my edits and hand in the new draft of my novel just before Christmas Eve. The bad news: silence.
My novel feels amazing. I feel like I’ve polished up a rusty sports car (no doubt I forgot to replace the bumper or something, but STILL). The villains are uncomfortable and crescendo nicely, the puzzle pieces of the plot click together, the final sentence feels right.
As soon as I sent it off, my prospective agent replied positively, saying he would probably get around to reading it in the first week of January. Whatever the case, he’d let me know when he started reading it. Finally, I could relax for a couple of weeks.
Except, the first week of January rolled around…and I heard nothing. The second week came and went. Hesitantly, I sent an email asking when he’d assigned my novel to his reading schedule. He replied saying he’d not long returned from holiday, but he’d update me within the week to let me know.
Let’s be honest. The ‘magical girl’ trope used to suck when I was a kid, especially when girls are taught to hate themselves because ‘femininity = weakness,’ and gosh are magical-girl-shows ALL ABOUT showy associations of girliness. As such, the magical girl trope only pleased young girls who hadn’t yet learnt to think ‘girliness is a flaw.’ The older a girl got, the more she saw that many magical girls were shaped as vapid creatures obsessed with getting boyfriends or hiding their other life as a pop star, downplaying the fighting and dealing with schoolyard problems. Basically: sitcoms. So it’s no wonder women distanced themselves from ‘magical girls’ to try and preserve their sense of respectability. Until BOOM: Sailor Moon. But let’s build up to that.
What the heck am I talking about when I link magical girls to internalised misogyny? It’s the act of rejecting women, or yourself, for behaving/looking a certain way. The thing is, to quote everydayfeminism, “it’s not always other people or other genders that are responsible for sexism. Sometimes, it’s actually you.” Women oppress themselves and their peers, known as ‘internalised misogyny’—the act of involuntary perpetuating sexist messages within their societies and culture. Enter stage: the magical girl.
I’m procrastinating by writing this post, let me just put that out there. Click here to read part one and part two.
I didn’t make the November 1st deadline. Once I figured out how to fix the big problems of my story, I worked day and night, every day, to meet the target. But hey, I do also have a life. For some reason I’d agreed to host a food party on October 31st. November 1st was also my cousin’s hen party (for whom I was maid of honour). A day later was the wedding. I also had to write a poem to perform during the service of said wedding. A day after that I was going to Norway. EVERYTHING AT ONCE.
I burnt out. I hadn’t had a chance to stop and reread any of my novel, aside from a fresh scene before moving onto the next. Consequently, I felt like I no longer even knew my novel anymore.
This picture was the writing prompt from an earlier post, something I saw on the Book of Face with a caption which went something like this: You swerve to avoid a squirrel. Later, in your hour of greatest need, the same squirrel returns to repay its life debt. It stuck with me. There are squirrels […]
For the first time in three years, my schedule is completely blank until mid September. I’m actively looking for new manuscripts to edit, and I’d like to aggressively slash my prices. My rates are never this cheap, so I strongly encourage you to act fast because my inbox gets flooded every time I do this. […]
I’ve done it. I’ve started the journey to publishing my novel, or at least come closer to the dream than ever before. I’ve studied publishing as an industry, I’ve been an editor for four years for a digital publisher, but I’ve not managed to publish my own work—yet.
So, I figure we can experience the journey together, because despite the publishing experience that I have, this is all new territory for me.
1. How I triumphed the Hunger Games and won the agent
Okay, so I wasn’t bulldozing through a queue of clients to get to my agent, but the process of getting your foot through any door of traditional publishing can feel like a battle. Just notice me! Give me a chance!
MCM London Comic Con is already behind us, but as per, it’s Artist Alley I always loved the most. Fandom art and original beauties await! This year I took my partner along as a photographer, and both of us spent most of our money on art we can’t hang up yet because we don’t have a house. But here are some of our favourite creatives:
Wei Li Wonka
I was not only excited to discover Wei Li’s art but touched to meet such an excitable young lady. My eye was especially drawn to her tea collection – people bathing in teaware/wearing tea cups. I love tea and work in a tea house; I now wear Wei Li’s badges to work! Her style is soft and delicate, sometimes pastely, sometimes stark and bold. It has an air of innocence and wonder, much like the artist herself, and I will certainly be procuring more of her art.
The goal of horror is to elicit an intense fear, and there nothing that humans fear more than death. Death is the last curtain call, the ending to the show. Everyone, whether they admit it or not, has some level of terror about the final end. Fear of death is universal. Horror stories feed off this trepidation. Every single tale of the macabre contains a death, which is essential to amp up the panic in a character.
The purpose of a story is show the growth of a central character. In order to grow, there needs to be a triggering event that transports the character in a positive or negative direction. Yes, characters can grow negatively and fall from where they originated. Typically in the genre of horror, the main character does descend. Eternal loss is a plot tactic for this catalyst. The build up to death is what generates the character’s (and essentially the reader’s) fear — the intrinsic element…
So, remember that thing where I’ve written an epic portal fantasy? The cover is finally here, with artwork from the amazing Julie Dillon! BEHOLD THE PRETTY:
Here’s what it’s all about:
When Saffron Coulter stumbles through a hole in reality, she finds herself trapped in Kena, a magical realm on the brink of civil war.
There, her fate becomes intertwined with that of three very different women: Zech, the fast-thinking acolyte of a cunning, powerful exile; Viya, the spoiled, runaway consort of the empire-building ruler, Vex Leoden; and Gwen, an Earth-born worldwalker whose greatest regret is putting Leoden on the throne. But Leoden has allies, too, chief among them the Vex’Mara Kadeja, a dangerous ex-priestess who shares his dreams of conquest.
Pursued by Leoden and aided by the Shavaktiin, a secretive order of storytellers and mystics, the rebels flee to Veksh, a neighboring matriarchy ruled by the fearsome Council of Queens…
The South West of England will continue to see frequent and unpredictable bursts of heavy showers and crisp sunshine every day of this week, so don’t forget your rain repellent umbrellas no matter how deceivingly warm it seems.
Those in North London should be wary of lightning strikes today, since thirteen year old Annabella Hackhop reacted badly to getting drenched in water by a speeding muggle car. The young witch is not being charged for casting the spell, as she claims it was an instinctive magical reaction that she had not intended to happen, and the Ministry’s Accidental Magic Reversal Squad should have the lightning cleared away by this afternoon.
Due to an awful incident involving an elderly wizard and his experimentation in homemade dungbombs, the glorious sunshine in East Riding might not be so welcome after all. The stink is potent for miles and truly foul, not helped by the beautiful weather Yorkshire is due all week. Ahmer Laham is being treated for magical burns after his fifth batch of dungbombs exploded in his garden brazier. The Muggle-Worthy Excuse Committee are telling local muggles that a gas line combusted and hit a sewer system.
If you’ve been brewing any lunar dependant potions this month, don’t forget that tonight is the first day of the full moon.
And a quick traffic notification: no one else is permitted to apparate into Diagon Alley today due to a pile up of witches and wizards arriving at the same time for the touring performance of the French rock band ‘The Basilisk in Your Pasta’. The crush of folk is heavy and too many of the travellers were uncomfortable with apparition, resulting in a lot of vomit.
[A/N: Literally, honestly, tonight is a full moon in the UK.]
I applied to be a writer for Hogwarts is Here a couple of years ago, and my application was successful! But sadly, the acceptance email went to my junk folder, and I discovered it two weeks after they’d sent it, which was apparently deplorable. I never even got a ‘sorry, you replied too slow’. I liked the content I wrote for them, however, so my Quibbler articles shall have a home on my blog. Hello, 2016.
Meddling in Muggle Theatre
Wizarding theatre has been in decline, according to directors such as Plepbin Eggum, famous for his adaptation of Three Wizards and the Rolling Trolls, for the past fifty years. He stated that the same dusty fables had graced our stages for so long that even fairies would be tired of sweeping up the moral residue for their spells. Whatever that means. He went on about fairy dust for quite some time.
Do you have a business card as a writer or author? Have you thought about it? Business cards are a good idea with lots of uses.
Just a quick tip: First, make sure your card stands out. A signature color, logo, or something that draws attention is good. Also make sure that you use a legible font and include only details you want widely public (for example, I omitted my address and phone number).
Here are ten ways you might not have thought of to use your business cards:
One clever idea, which I will implement when the third Family Secrets novel comes out, is to use the space on one side of the card for thumbnails of three books. It’s almost a perfect fit. Then put your info on the back along with a link to where you prefer people to buy them. It’s an immediate sales tool in…